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Fallen Angels in Hell John Martin c. 1841 Marianne Stokes Millais fills the scene with Millais fills the scene with meticulous detail and psychological tension—Isabella leans protectively toward Lorenzo "The Taking of Christ" is a prime example of Caravaggio's ability to convey complex biblical stories with profound emotional depth About the artwork: and terrifying grandeur that defined his most celebrated visions
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Fallen Angels in Hell | John Martin | c. 1841 Marianne Stokes Millais fills the scene with

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